Why I Wrote This
I spent 50 years telling other people's stories — on stages, on film sets, in boardrooms pitching campaigns for companies that wanted their message told right. I thought I'd seen every kind of story worth telling.
Then I met Lucy.
She wasn't a character I invented. She was a real trans woman running her own show, her own business, her own bedroom — and she was better at it than most producers I'd worked with in Hollywood. I watched her turn a webcam and a plan into a system that made her money on her own terms! She was the best unscripted business story I'd seen in decades.
This woman's life is a documentary! I told myself, a live cam performer turning every tool the platform
gave her into a surgeon's knife. It was a story full of risk, invention, and hustle.
Not long after, I met Ale. Same world, different gift — she had the ability to make a stranger feel like the only person in the room, and she used it to build a life most people only dream about.
I didn't set out to write about the adult industry. I set out to document two women who were doing something remarkable and figuring it out themselves, with no playbook to follow. So I wrote them one.
Date the T-Girl of Your Dreams and Peep Show are the result — Ale and Lucy's real lessons, translated through five decades of knowing how to tell a story that actually lands.